FASCINATION ABOUT CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They tend to be craving romantics, using this distinction: Buster seems a plausible mate, and the Tramp barely appears to possess a libido, only idealized notions. If their comedies had been built in a far more liberated time, it is possible to assume Keaton in mattress with a girl, but disquieting to think about the Tramp as being a sexual remaini